Concert #744 - The 32nd Claremont Folk Festival (Rancho Santa Ana Botanic Garden) (May 30, 2015)

This year's Claremont Folk Festival took place on the hottest day of the month of May. With temperatures in the upper 80s and with barely any shade in the seating area, the artists scheduled to appear before 5 PM had to perform in front of mostly empty seats, which is a carbon copy of what happened last year at the 31st edition of the festival.

Photo taken at 4 PM, at the end of Perla Batalla's performance

The honor of headlining the festival went to veteran musician David Grisman and his cohorts, collectively called the David Grisman Bluegrass Experience. In his seventy-first year of existence, David sounded good and so did his band, comprised of Keith Little (banjo), Chad Manning (fiddle), Jim Nunally (guitar) and Samson Grisman (upright bass). By the way, Samson is David's son.

David Grisman's partial set list

Roving Gambler

Lone Pilgrim

Muddy Roads

Highway Of Sorrow

Engine 143

Fanny Hill

Walkin' Blues

Dawggy Mountain Breakdown

The David Grisman Bluegrass Experience

David Grisman

To me, the festival's finest moments were delivered by Blind Boy Paxton, an artist I knew little about. Sporting a broad smile, a fine sense of humor and uncommon musical versatility, Jerron (his real name) was a revelation of massive proportions. I loved his singing, as well as the ease with which he played multiple instruments - one doesn't often see musicians who can deliver top-notch solos on banjo, guitar, fiddle, as well as harmonica. Jerron's repertoire of classic blues and all sorts of old-time ditties kept the audiences captive for the entire duration of his set and, after he played his last song, everyone - myself included - stood up and gave him a well-deserved standing ovation. The songs I liked the best were "Railroad Bill", "Mississippi Bottom ", " When An Ugly Woman Tells You No" and "Hesitation Blues".

Blind Boy Paxton in Claremont

Blind Boy Paxton in Claremont

Blind Boy Paxton in Claremont

Tom Freund and his band played a quality set that showcased his versatility as a singer, songwriter and instrumentalist, as he switched from guitar to mandolin to ukulele and finally to a large upright bass. The crowd got quite a bit louder when Tom introduced Grammy-winner Ben Harper, his long-time friend. Ben stayed on the stage for five songs, while keeping a relatively low profile. According to Ben's web site, the five songs were "Why Wyoming", "Angel Eyes", "Cakewalk Into Town", "Copper Moon" and "Collapsible Plans". Tom also sang "Ghost In This Town" and "Digs". Earlier in the set, Tom brought out Ellen Chase- Verdries (Ben's mother), for the singing of "Hickory Wind", a fine song from the repertoire of Gram Parsons.

Tom Freund (right) with Ben Harper

Tom Freund with Ellen Chase-Verdries

Tom Freund

Ben Harper

Perla Batalla took the stage shortly after 3 PM, accompanied by her daughter Eva Batalla-Mann and a small band. As expected, her set included a few Leonard Cohen songs: "Sisters Of Mercy", "Bird On A Wire" and "Hallelujah". With her distinctive voice, she also sang Nat King Cole's "Nature Boy" and a Spanish language song called "La Llorona" (The Weeping Woman). I liked her set, but at one point I had to take a break from the blistering sun and took refuge in a shady area, away from the stage. I returned just in time to catch her set-closing rendition of "Hallelujah". Very nice.

Perla Batalla

Perla Batalla & Eva Batalla-Mann

The main reason I went to the festival was to once again see one of my all-time-favorite bands, the Dustbowl Revival. Their set kicked off shortly after 1:30 PM and went on for one hour. The band showed up as an octet, with the following lineup: Zach Lupetin (vocals, guitar), Liz Beebe (vocals, washboard), Daniel Mark (mandolin), Connor Vance (violin), Matt Rubin (trumpet), Ulf Bjorlin (trombone), James Klopfleisch (upright bass) and Josh Heffernan (drums). Their repertoire is an ever-evolving affair, which is both good and bad. The good: there's great new music every time I see them. The bad: they may never play their "classic" gems, such as "Dan's Jam" and "Western Passage". In spite of the heat, the band sounded fabulous. The songs I liked the best were "National Geographic", "Shine", the Band's "Up On Cripple Creek", the set-ending "Whiskey In The Well" and "Minor Swing", the old Django Reinhardt tune.

The Dustbowl Revival

Liz Beebe and Zach Lupetin

Daniel Mark (left) and Connor Vance

Ulf Bjorlin (left) and Matt Rubin

Frank Fairfield took the stage at 12:15 PM, accompanied by Tom Marion, an accomplished player of many different string instruments. The sun was hot and it was still early in the day, so only a small handful of people were in attendance. Their music can be described as "old-school folk music", the kind that sounds better in a smaller room.

Frank Fairfield (right) and Tom Marion

Away from the Main Stage, the smaller but much shadier Oak Tree Stage hosted a few worthy acts, among which the Squeakin' Wheels sounded the best to these ears. I particularly liked Marguerite Millard's voice and singing style. Guest Ellen Chase-Verdries joined the band for the singing of three or four songs.

The Squeakin' Wheels

The Oak Tree Stage

The festival featured a few other musical and non-musical events and activities, as shown in the following photographs:

Booths

Drum Circle at the Tea House

Ukulele workshop

Art workshop

As in previous years, the 32nd Claremont Folk Festival was organized by the Claremont Folk Music Center, a much-loved local store and museum of musical instruments, a relatively small operation that has limited resources. They deserve kudos for undertaking the running of this large-scale festival that attracts many hundreds of folks, year after year. While they do most things right, the organizers can do a whole lot better when it comes to the topic of VIP seating. With VIP tickets priced at $100, one would expect some law and order to be maintained in the area designated as VIP seating, but sadly, it was chaos and noise that prevailed over law and order. In the coming years, I will definitely think twice before shelling out the extra money.

Scenes of chaos and noise in the VIP seating area

Concert #715 - The 31st Claremont Folk Festival (Rancho Santa Ana Botanic Garden) (May 31, 2014)

Hard to believe, but this was my first-ever day-long music festival that I have attended. Prior to this, I have stayed away from such events, mostly because I tend to dwell too much on the negatives that go along with multi-stage music festivals - the heat, the crowds, you know what I mean. But this event was close to home and it featured a few tempting acts, so I broke my non-participating tradition and got myself a VIP ticket that came with prime reserved seating, but no other benefit. The ticket set me back 125 bucks, while regular tickets cost $40.

Organized by the Claremont Folk Music Center, the festival took place at Claremont's Rancho Santa Ana Botanic Garden, the sprawling grounds that I have visited many times before. The event started at 10 AM and went on for twelve hours. In addition to the shows scheduled to take place on the garden's two stages, the festival offered music-related workshops, storytelling, activities for kids, vendor booths, food and local beer and wine.

Musical performers scheduled to appear

Ben Harper & Ellen Chase-Verdries (Ben's mother)

David Hidalgo & Louis Perez (of Los Lobos fame)

Dave Alvin & The Guilty Ones

The Gonzalo Bergara Quartet

The Chapin Sisters
The Coals

The Ooks of Hazzard

Blue Highway

Steve James

Rick Shea

Ross Altman

Peter Harper

Phoebe Bridgers

Old Brown Shoe

I showed up a few minutes after noon, while the Coals were performing on the main stage. They sounded good, but practically no one was willing to sit in the hot sun to watch them play. What went through the minds of the musicians as they were playing to empty seats, is anyone's guess. Sadly, the Coals were not the only act to find themselves in that predicament. The Chapin Sisters and the outstanding Gonzalo Bergara Quartet most definitely deserved to be heard by a larger crowd, but their early time slots worked against them.

The Coals playing to empty chairs

The lack of shade on a day when temperatures reached 89 degrees Fahrenheit (32 degrees C) was my main beef with the event, but I certainly understand that providing shade over the heads of hundreds and hundreds of people was a rather unachievable task.

But enough about the negatives. The festival offered lots of highly enjoyable moments which, in their totality, far outweighed the negatives.

The final performers of the evening were Ben Harper and Ellen Chase-Verdries, Ben's mother. They have just released an album titled "Childhood Home", their first-ever joint recording. The album is a relatively mild affair, something that could disappoint some fans, but everything about the album screams quality: the tunes, the intelligent lyrics, the delivery. Accompanied by a drummer, bassist and guitarist, Ben and Ellen played each and every song from the album, in precisely the same order they appear on the album. I liked them all, especially "A House Is A Home" and "How Could We Not Believe", but the song that impressed me the most was "Learn It All Again Tomorrow". Throughout their set, Ben and Ellen were in good vocal form, with Ben also being in his usual talkative mood, always ready to connect with his fans.

Ben Harper at the Folk Festival

Ellen Chase-Verdries at the Folk Festival

Midway through his set, Ben took a short and decidedly unusual detour: after he made a comment on the Neil Young sweats he was wearing, a young boy named Joseph approached the stage and addressed him with a request that Ben did not immediately understand. Enter Joseph's mother, who explained that her son wanted to sing "Heart Of Gold" with Ben. Without wasting a second, Ben pulled the boy up on the stage and the next thing we knew they were duetting on Neil's classic. Ben knew all the words, while little Joseph remained silent during the parts he did not know. The whole episode was very well received by the crowd.

Ben Harper & Joseph singing "Heart Of Gold"

Ben also played the piano on two songs, while Ellen picked up a banjo for the playing of a song or two. The other three musicians were not introduced by Ben, I'm sure it was just an oversight. As far as I could tell, the guitarist was Sean Watkins of Nickel Creek fame. 

Ben Harper and Sean Watkins

Ellen Chase-Verdries playing the banjo

Ben & Ellen's Set List

A House Is A Home

City Of Dreams 

Born To Love You

Heavyhearted World

Farmer's Daughter

Memories Of Gold

Heart Of Gold (duet with a kid named Joseph)

Altar Of Love     

Break Your Heart   

Learn It All Again Tomorrow

How Could We Not Believe

Plane Wreck At Los Gatos (encore, with David Hidalgo and Louie Perez) 

Ben, Ellen and the band left the stage at the end of their set and it took them four minutes to return for their encore. As it turned out, it was worth the wait - they reappeared with David Hidalgo and Louie Perez who had performed their own outstanding set just before Ben and Ellen took the stage. Taking turns at lead vocal, the four protagonists - Ben, Ellen, David and Louie - sang "Plane Wreck At Los Gatos", the classic folk song covered by everybody, from Joan Baez to Dylan to Odetta. It was a perfect ending to a great evening of music. 

David Hidalgo reviewing the lyrics of the encore

David Hidalgo and Louie Perez, two original members of Los Lobos, were a late addition to the festival's line-up. I have seen Los Lobos twice before - once at the Greek and once at UCLA's Royce Hall - but surprisingly, neither of those live shows have received my highest rating. Different story this time: David and Louie's one-hour set was nothing short of mind-blowing. They kicked off the proceeding with "Will The Wolf Survive", everybody's favorite Los Lobos number. I was amazed by David's voice - his distinctive vocals are as good today as they were thirty years ago, when I first heard their signature song. Then there's his guitar playing - starting with the extended intro and continuing relentlessly to the end of the song, David's guitar work on "One Time One Night" was one of the finest displays of fluid guitar playing I have ever heard. Not to take anything away from the exceptionally good sets delivered by Ben & Ellen and the Alvin Brothers, but David Hidalgo's rendition of "One Time One Night" takes the cake for the single best moment of the entire festival, to these ears at least.

Even though I don't understand the language, I did enjoy those three or four songs they sang in Spanish. 

David Hidalgo playing "One Time, One Night"

Inadvertently or otherwise, the concert announcer introduced David Hidalgo and Louie Perez as "Los Lobos", which was probably just a mistake on the announcer's part. Or did he say Dos Lobos? I will never know. By the way, Louie kept a low profile throughout their one-hour set and regardless whether or not they could be called "Los Lobos", the backing musicians deserve kudos for their contributions. I loved watching the band's young drummer (name?) who banged on his drums and cymbals with total abandonment.

Louie Perez at the Claremont Folk Festival

Performing just before David Hidalgo and Louie Perez, Dave Alvin & the Guilty Ones delivered a great set that was vintage Dave Alvin and a whole lot more. Let me explain: over the years, I have seen Dave in concert twenty times, but somehow his brother Phil managed to elude me time and time again. I'm happy to say that this streak of bad luck was finally broken Saturday night at the Folk Festival, when Phil took the stage as one of the Guilty Ones and I could not have been more thrilled. Not surprisingly, his many talents were prominently featured and what impressed me the most was his voice, which - at the not-so-tender age of sixty-one - has remained pretty much intact. By the way, the other three members of the band were Chris Miller on electric guitar, Brad Fordham on bass and Lisa Pankratz (Brad's wife) on drums - they were outstanding.

Dave & Phil Alvin at the Claremont Folk Festival

Phil Alvin at the Claremont Folk Festival

Dave and Phil deserve credit for their excellent song selection - mixing songs from their classic repertoire ("Dry River", Marie Marie", "King Of California") with songs from their new album of Big Bill Broonzy covers ("All By Myself", "Key To The Highway", "Southern Flood Blues"), they played for exactly sixty minutes, not at all bad for a multi-act festival. A couple of times during his set, Dave made everyone scream with his blistering guitar work.

Dave Alvin at the Claremont Folk Festival

Dave & Phil Alvin's set list

The Chapin Sisters kicked off their set at 3 PM, but regrettably, the hot sun kept most everyone away from the seating area. I endured the heat for about twenty minutes, after which I had no choice but look for cooler spots. I returned just in time to catch a few more songs, so I did get a taste of their live act. While their studio recordings are a bit too soft for these ears, I really enjoyed Abigail and Lily's live performance - they sang with confidence, harmonized like only sisters can, and - dressed in long white dresses - looked great, too. The songs I liked the best were "Crying In The Rain", the well-known Everly Brothers hit and "If I Could Only Win Your Love", the old Louvin Brothers classic.

The Chapin Sisters at the Claremont Folk Festival

The Chapin Sisters' set list (not fully followed)

Only a tiny handful of people paid attention to the outstanding Gonzalo Bergara Quartet ... blame it on Claremont's hot afternoon sun. Lead by gypsy-guitar virtuoso Gonzalo Bergara, these guys delivered a sensational set. Let me rephrase that: the songs they played during the fifteen minutes I lasted in the sun were outstanding. Gonzalo's guitar work was devilishly good and so was Leah Zeger, the band's violin player. 

The Gonzalo Bergara Quartet

Gonzalo Bergara

While wandering away from the festival's main stage in search of lower temperatures, I stumbled upon a few enjoyable events among which the performances of Rick Shea and Bartt Warburton stood out.

Playing at the Oak Tree stage, Rick Shea delivered a very well-received set consisting of his own material, plus a few covers. I have seen Rick playing guitar in a supporting role a few times before, I knew he could pluck those strings, but had no idea how well he could sing and write. Hearing his voice for the first time was a pleasant surprise and I was instantly hooked by his melodies and lyrics.

Rick Shea's partial set list

Mexicali Train

Mariachi Hotel

Rachel

San Bernardino Waltz

Sweet Bernardine

My Darling Lives in Darlington

Sweet Little Pocha

Rick Shea at the Claremont Folk Festival

Ukulele-meister Bartt Warburton strutted his stuff at the shady Ukulele Island, with about twenty-five folks attending. Part performance and part workshop, his act drew me in almost immediately. Mixing humor with solid playing, Bartt's zany stage persona was a blast to watch. He was ably supported by Jason Arimoto, an accomplished ukulele player himself. 

Bartt Warburton (center) and Jason Arimoto (right) at the Ukulele Island

The Ooks of Hazzard, Peter Harper (Ben's brother) and Ross Altman were three more acts that I got to see in action, albeit only for a few short minutes.

The Ooks Of Hazzard

Peter Harper (center) at the Oak Tree stage

Ross Altman at the Oak Tree stage

The festival ended a few minutes before 10 PM. I got home sweaty and tired, but definitely happy with the way things played out, in spite of a few glitches. Organizing such a big event was no easy task, especially for a small business such as the Claremont Folk Music Center. They deserve our thanks and so do the unpaid volunteers who performed all sorts of jobs while having to cope with the heat and the many hundreds of attendees. 

I have two suggestions for next year's festival: First, all seating should be reserved. If you paid $40 for a ticket, you should be guaranteed of a seat. The organizers could also sell no-seating tickets, for say $20. Second, I would like better policing for the VIP section, as this year there was no policing at all.

Here are a few more random photos taken at various locations during the day-long festival:

The Chapin Sisters chatting with fans

Bartt Warburton at an instrument booth

One of the vendor booths

Drumming workshop for kids

Sign