Showing posts with label Javier Mas. Show all posts
Showing posts with label Javier Mas. Show all posts

June 24, 2012

Concert #642 - Jackshit at McCabe's Guitar Shop (June 23, 2012)


Those folks who are wondering why I'm always there when Jackshit plays Santa Monica should have been in the audience last night at McCabe's. For me, the fun started with the spotting of Leonard Cohen, who walked in just before show time and quickly disappeared upstairs. I wasn't expecting him to guest on the show - and he didn't - but just being under the same roof with the artist who has been delighting me for decades gave me an unforgettable thrill.

Then there's always the question about unannounced guests - will there be any? And yes, last night there were a few. Once again, Jackson Browne popped in as "Browne Shit" and delivered an outstanding four-song set that opened with Ween's "Pretty Girl", followed by Jackson's own "Here Comes Those Tears Again" and "Running On Empty" and culminated with the playing of Leonard Cohen's gorgeous "A Thousand Kisses Deep", with additional support from Spanish guitarist Javier Mas and Moldavian violinist Alex Bublitchi, both from Leonard Cohen's band.

Jackson Browne (center), with Val McCallum (left) and Pete Thomas
In perfect alignment with Jackshit's western wear dress code, Jackson Browne came out with a cowboy hat that he didn't really want to wear and, after struggling to find an adequate storage space on the crowded stage, he simply passed it on to me, as I was sitting in the front row, literally at his feet. I don't like having large objects on my lap while watching a show, but I can always make an exception for the headwear belonging to inductees of the Rock & Roll Hall of Fame!

Jackson got his hat back when he rejoined the band to sing "Take It Easy", a song he wrote for the Eagles in the early seventies. It was a fitting end to an incredible night of music that saw the Boys from Cochtotin in great vocal and instrumental form and I'm theorizing that Leonard Cohen's mere presence in the house must have given the band an extra-incentive to go the extra-mile. Val McCallum's guitar playing was as strong as ever. His treatment of "Pretty Polly" was something to behold, but then again, I could say that about anything else Val does. Pete's rapturous drumming on Johnny Horton's "I'm Coming Home" and Davey's bass intro to Pat MacDonald's "Drinkin' Or Drivin" were superb and so were Davey's falsetto sounds on "Ring Of Fire".

Last night also marked the welcome and long-overdue return of "Ugly And Slouchy" and its delightful rock & roll medley, which consisted of some classic Blood, Sweat & Tears, Sugarloaf and Doobie Brothers material. The always-fun Shit Horns also made an appearance, this time as a trio, to help the band with the playing of "Ring Of Fire" and "The Lonely Bull".

Two of the three Shit Horns, with Alex Bublitchi (left) and Davey Faragher (right)
Two new songs made their way into the set list: "If I Could Only Win Your Love", an old Louvin Brothers tune, and "Where Does The Good Times Go" from Buck Owens' repertoire.

One of the two set lists left behind on the stage
The other set list
With their unmatched musical skills, power and humor, Jackshit remains one of the best acts one can catch in LA or anywhere else, as a matter of fact. Be there the next time they are anywhere near you.

Jackson Browne leaving the stage
Javier Mas (left) and Davey Faragher exiting the stage
"Pretty Girl" lyrics sheet on Davey Faragher's music stand
Two of Val McCallum's guitar picks

 

June 16, 2012

Concert #640 - Val McCallum at McCabe's Guitar Shop (June 10, 2012)


This was Val McCallum's first-ever solo show, as far as I know. Come to think of it, it wasn't really a solo show. "Val McCallum & Friends" would have been a more appropriate description of  what took place at McCabe's last Sunday, as the only song performed by Val with no one else on the stage happened to be the very last song of the encore!

After my many previous encounters with Val, whether as a member of Jackshit or backing up performers such as Shelby Lynne, Freedy Johnston, Creed Bratton and Susanna Hoffs, I could safely say that I knew him better than most any other musician. But when it came to the concept of "Val solo", I just did not know what to expect.

Well, the verdict is in: Val and his friends put on an exceptionally good show, complete with a few high-caliber guests, some announced in advance, others not. It all started with Val singing four of his own compositions, with a young lady singer who goes by the name of Z Berg providing backup vocals. The songs were of the "kinder and gentler" variety, their quality was remarkably good. In two separate songs, Val sang lovingly about his daughter Stella and wife Shelli, the latter being the "Tokyo Girl" Val sang about in the song of the same title. Now that's quite a departure from Beau Shit, Val's alter ego, who often sings about young ladies being murdered (Pretty Polly, Rose Connelly and others).

Then Z Berg took over the lead singer role and what a pleasant surprise that was. She possesses a wonderful voice and a singing style that appealed to me very much. As far as I know, the four songs she sang lead on were her own compositions and they were all stunningly good, especially the one titled "Charades". Add her extremely relaxed and self-confident stage demeanor and what you get is a rare talent who, at least from my vantage point, came out of nowhere. I will now start looking for her work as a member of the Like, her earlier little-known band.

Next in line was up-and-coming singer and guitarist Blake Mills, introduced in a highly complimentary manner by Val. Blake's guitar playing was superb and he can sing, too. His extended guitar jams with Val were a beauty - Neil Young's "Pocohantas" was a highlight. They received support from drummer Danielle Haims and a bassist whose name I cannot recall.

Val McCallum at McCabe's (June 2012)
Jackson Browne and drummer Steve Mugalian took the stage for the playing of "Jesus On The Mainline", which turned into a delightful extended jam, complete with crowd participation.

Jackson Browne stayed on to sing two songs of his own, namely "Miracle Mile" and "Rarebird". For many years, even decades, I did not count myself among Jackson's most ardent fans, but now, after having witnessed a few a his guest appearances at various venues, I am a lot more appreciative of what he does.

The set list, where JB stands for Jackson Browne

The stage got real crowded when Val and Jackson brought out Spanish guitarist Javier Mas and Moldavian violinist Alex Bublitchi, two musicians from Leonard Cohen's current touring band. Out of courtesy, Blake Mills sat on the stage floor after giving his chair to the more senior Javier. What followed was pure magic. Their rendition of Cohen's "A Thousand Kisses Deep", sung by Jackson with the full participation of all other musicians, ranks among the finest performances I have ever witnessed. Just imagine - the lead guitar role shifting seamlessly between the three devilishly great guitar players present on the stage - from Val to Blake to Javier and so on, it was divine, and so was Jackson's singing, and when the song ended, the crowd was on its feet to give the musicians a rarely seen mid-concert standing ovation. Funny thing - the best song of the evening does not appear on the set list.

The set ended with Z Berg coming out yet again for a couple of more songs which were as good as the first ones she sang. Val then came back all by himself for a one-song encore, his own "The End Of The Day", then it was all over. In my book, the concert was a "Perfect 10". 

Val McCallum remained on the stage for the entire duration of the show and acted as a gracious host who allowed his guests to shine. As a long-time follower of Jackshit, I was happy to see his non-Beau side and I liked what I saw.

I just hope that there will be many more such episodes of "Val & Friends".

Jackson Browne and Javier Mas tuning up
Val McCallum thanking the audience
The hugely talented Z Berg, after the concert
Val McCallum (left) chatting after the concert
Guitarist-extraordinaire Blake Mills (left) after the show
Drummer and McCabe's employee Steve Mugalian
The stage

February 27, 2011

Concert #548 - The Swell Season at McCabe's Guitar Shop (March 14, 2010)


Picking the best McCabe's concert I've ever seen is mission impossible, but one thing is for sure: no other show was better than what I saw on March 14, 2010.

The concert sold out in minutes, it was a miracle that I managed to get two tickets. Initially, my better half was supposed to go with me, but a bad cold got in the way. Enter my young friend Ralph, a ticketless Swell Season fan, who could not hide his joy for his bit of good luck. 

The McCabe's show was the first of two small-venue benefit concerts for Kenya's Maasai Wilderness Conservation Trust, a cause Glen Hansard had taken an interest in. Tickets cost $40, a real bargain.

I reached McCabe's at 5:30 PM, which - it turned out - wasn't early enough to be first in line: seven or eight people, obviously crazier than me, had already lined up for the privilege of getting in first. I was soon joined by Ralph and we had a great time chatting out there in the street.

McCabe's window display - Swell Season poster
Ralph and I sat in the front row, right at Glen's feet, and from there we witnessed a performance that is hard to describe in words. Glen Hansard is a force of nature. I can't think of anyone more intense or more soulful than him, and all this while maintaining total humility and a down-to-earthness that is rarely seen. His facial expressions and the passion in his voice are unforgettable. In contrast, Marketa Irglova's personality was far less powerful. She appeared to be fragile and vulnerable, an impression that was reinforced by her low-profile stage presence as well as her somewhat weak singing voice. But maybe it's the Glen-Marketa contrast that makes the Swell Season such an electrifying act.

Glen & Marketa at McCabe's (March 14, 2010)
 The show had many high points. "Low Rising" was one of them. "Into The Mystic" was an absolute knock-out and so was "No Woman, No Cry".

Here's a live-in-studio version of "Into The Mystic", performed exactly the way we saw it at McCabe's: 



A few songs in, Glen invited to the stage an acoustic guitar player from Spain, by the name of Javier Mas, who had toured the world with Leonard Cohen. Javier's virtuosity was a great addition to the show. All the while, Glen Hansard used one of the most beat-up guitars I had ever seen.

They played many songs from "Strict Joy", as well as their first, self-titled album. I liked "Paper Cup", "Falling Slowly" and most everything else they sang.

Watch the Swell Season in a powerful performance of "Low Rising", live on Dave Letterman:


Glen Hansard's beat-up guitar
 Overall, it was one of the best concerts one could ever see and hear. Would I ever have the good fortune of seeing them again at McCabe's? Unlikely.