Concert #683 - Barry McGuire & John York at McCabe's Guitar Shop (August 16, 2013)

Typically, my response to nostalgia concert offerings involves a great deal of apprehension. Just like you, I have a soft spot for many musicians of the sixties, but do I really want to see them in action half a century after their heyday? Well, if they are as vibrant as Barry McGuire was Friday night at McCabe's, the answer must be a resounding yes.

Although I enjoyed Barry's concert very much, I will always remember the evening as a series of missed opportunities. It would have been out-of-this-world to have had P.F. Sloan walk in for the singing of "Eve Of Destruction" or John Sebastian engage in a duet with Barry on "Daydream". Well, neither of them showed up, nor anyone else, as a matter of fact. For almost two full hours, the stage belonged to Barry and John, who together delivered one classic gem after another, complete with stories about the musicians who wrote or sang those songs decades ago.

Barry McGuire (left) & John York at McCabe's

Barry is seventy-eight years old now, as in two years shy of his eightieth birthday - can you believe that? Almost eighty years old, and still on the road, still giving it all, still exuding immense joy while performing and still sounding pretty much like Barry McGuire.

Barry singing "Dream A Little Dream Of Me"

Since 2007, I have caught Barry's "Trippin' The Sixties" act not fewer than five times, a clear sign that I'm a satisfied customer. The format of the show has remained intact, with occasional changes in content. Some songs get dropped, others get added. One of these new additions, "Dream A Little Dream Of Me", delivered by Barry almost like a whisper, was one of the highlights of the evening. Equally good was Barry and John's treatment of Tim Hardin's "If I Were A Carpenter".

The set list

After almost two hours of well-known classics, it felt great hearing the two songs chosen by Barry for his encore. What a surprise - who would have thought that Barry would sing a song written and recorded by Madonna?? But he did! His version of Madonna's "Frozen" sounded great and so did the tune that preceded it, "Somewhere Only We Know", from the repertoire of Keane, the British alternative rock band.

With his powerful guitar playing and good vocals, John York was once again an outstanding support musician, who got to show what he could do without ever trying to upstage the headliner.

The end of the show

Barry McGuire (right) & John York after the show

Mari McGuire at the merch table

The crowd

Concert poster

Concerts #183, 234, 254, 316, 351, 440 - Tish Hinojosa at McCabe' Guitar Shop (1997-2007)

I was reading the Musician magazine sometime in the mid 1990s, when Tish Hinojosa's unusual surname grabbed my attention. Here's someone with backbone, I remember my inner voice telling me. Here's someone who has not become, say, Tish Hines, although I bet she had to withstand some pressure from her manager, record company and God knows who else. So she remained Tish Hinojosa, with a silent "H" in the front and a "j" in the middle that sounds just like an "h". Know your Spanish.

A few weeks later, while checking out the used CD section at the then-thriving Rockaway Records in Los Angeles, I stumbled upon a used copy of her "Destiny's Gate" CD and, out of curiosity, I gave it a listen. I liked what I heard, so the CD went home with me and that marked the beginning of my love affair with Tish's music.

Fast forward two years or so. McCabe's announces Tish Hinojosa's second-ever concert there on August 24, 1997. My Better Half and I showed up and so did our good friends Ken and Marilyn, who had learned over the years to follow my musical recommendations with zero to minimal questioning.

The concert started with three or four songs performed in English, but there was nothing there that grabbed me. Tish appeared to be unconvincing, as she was trying to find her voice and rhythm. Things just weren't looking good, but then, all of a sudden, as she launched into the first Spanish song of her set, one could feel a buzz in the room and, even though I do not speak Spanish, I started "feeling the spirit". From that moment on, Tish kept our feet tapping non-stop, as she masterfully intertwined English and Spanish lyrics, occasionally even within the same song. Great songs were coming in quick succession, as Tish let herself go. Her set consisted primarily of her own compositions, as well as a few covers, which all came with a brief narrative about the respective songwriters. The songs that affected me the most were those about the lives of Mexican immigrants in her native Texas, a subject that she, as the US-born daughter of Mexican immigrants, knows very well.

I was equally impressed with Marvin Dykhuis, Tish's long-time accompanist both in studio and on the road. Marvin played his accoustic guitar with great virtuosity and received many rounds of applause for his work.

Marvin Dykhuis

The show ended with a standing ovation. The lights went on, but Tish wasn't done yet: as people started to leave, she went straight to the exit door to shake hands and chat with her fans, a true sign of a class act. I was sold, and so were my guests, Ken and Marilyn.

After such an auspicious introduction to Tish's live concerts, I felt compelled to spread the word among my friends about this warm and humble Texan singer who, inexplicably and unjustly, is not known by more. Some of my friends listened: Dave & Sylvia (November 4, 2000), Raul & Valerie (August 3, 2001) and Greg & Judy (October 17, 2003) accompanied us to catch Tish Hinojosa at McCabe's and, needless to say, they all turned into instant fans.

I needed more Tish still, so my Better Half and I were once again at McCabe's for her next two appearances there, on November 20, 2004 and May 20, 2007. These shows were great, as well.

Today I own each and every album released by Tish over the years and I do listen to them quite often.

Here's a partial list of the songs Tish performed at McCabe's

By The Rio Grande

Looking For My Love In The Pouring Rain

Manos, Huesos Y Sangre

Tu Que Puedes, Vuelvete

In The Real West

 Crazy Wind And Flashing Yellows

Baby Believe

When It Rains (Cuando Llueve)

Las Marias

Joaquin

West Side Of Town

San Antonio Romeo

Donde Voy

Midnight Moonlight

Poquita Fe

Taos To Tennesse

Reloj (The Clock)

Who Showed You The Way To My Heart

Destiny's Gate

Aquella Noche

Malaguena Salerosa

Laughing River Running

Abuelita

Tish loves to lend her support to lesser-known fellow performers, and that is how I got to know Anny Celsi, Duane Jarvis, Joel Rafael and Amy Farris, who, without exception, are deserving musicians in their own right. In her desire to promote her singing friends, Tish even stepped aside and allowed her guests to solo for a song or two. Very nice.

Fellow Texans Bill & Bonnie Hearne were the opening act on August 24, 1997, then on Oct 17, 2003, the proceedings were kicked off by Lysa Flores, an LA-based singer-songwriter.

If you haven't heard Tish Hinojosa's music, do yourself a favor and catch her live or buy one of her albums. You'll be glad you did.

Concert #682 - The Melodic at McCabe's Guitar Shop (July 12, 2013)

Anyone who did not show up at McCabe's last Friday night, missed out on a great evening of music featuring two young acts that were anything but run-of-the-mill.

Hailing from London and touring the States for the first time, the Melodic delighted me with a headlining set that was unlike anything I have ever heard under the "British Folk" heading. Their extensive use of uncommon instruments produced a refreshing sound that held a tremendous appeal to me. Charangos, autoharps and melodicas - these are instruments not often seen or heard, but Friday night they were all there, in heavy rotation, setting the tone for an evening that will be hard to forget.

Band line-up

Rudi Schmidt (charango, melodica)

Huw Williams (vocals, guitar)

Lydia Samuels (vocals, autoharp, melodica, looping pedal)

John Naldrett (bass)

James McCandless (drums)

Rudi, Huw and Lydia at McCabe's

The Melodic does not fit the often-seen template of bands with gifted leaders who dominate the proceedings. The Melodic is more like democracy in action, with every member bringing something specific to the table, in a clear case of evenly distributed talent. The band's two singers, Huw and Lydia, don't possess huge voices, but they certainly held their own. Driven by John's clever bass licks and James' understated yet energetic drumming, great songs kept coming one after the other. My favorites were "Ode To Victor Jara", "Piece Me Back Together" and the show opener, "Hold On". I thoroughly enjoyed the high-energy instrumental listed as "Andean" on the set list, while Rudi's masterful playing of the charango, a string instrument originating from South America, definitely deserves to be mentioned as a show highlight.

After the concert, I was ready to buy their current album, only to discover that there wasn't one. Bummer. Subsequently I read that their first album would come out later this year. I wish that I could be the producer of the album. No, I haven't produced before, but this one would be a cinch. I would just tell them to play like they played at McCabe's, then I would step aside. Oh yeah, I would also make sure that the Victor Jara gem gets included. 

Rudi, Huw and Lydia at McCabe's

John Naldrett (right) & James McCandless at McCabe's

The Melodic set list

Rudi Schmidt's charango

The Song Preservation Society opened the show with a set that sounded pretty much like a modern day Crosby, Stills & Nash, and to a lesser extent, Simon & Garfunkel. But they also sounded like themselves, which says a lot about the talent of this up-and-coming trio. In recent years, I have been bored to death by quite a few young artists whose offering consisted of one artsy sleeper after another, but that wasn't the case at all last night. These likeable guys - Trevor Bahnson, Ethan Glazer and Daniel Wright - kept my toes tapping from the minute they took the stage and they never let up. Their songs, which I suppose were all self-penned, did not sound all the same - there was plenty of variety there, both vocally and instrumentally. These guys can sing, can play their guitars decently well and have a sense of humor, too. I was so impressed by their set, that during the intermission, I went straight to the merch table and bought their EP titled "Ready Room".

Overall, I had a fabulous time Friday night at McCabe's and it only cost ten American Dollars to get in. I can only shake my head in disbelief ... how is it possible to get so much musical value for so little?

The Song Preservation Society at McCabe's

The Song Preservation Society at McCabe's

The set list of the Song Preservation Society

After the show: Huw Williams and Ethan Glazer

Lydia Samuels (left) mingling with fans

Rudi Schmidt (right) chatting with my friend Steve

   

Concert #681 - Maria Muldaur at McCabe's Guitar Shop (June 28, 2013)

This was my first time to see Maria Muldaur in concert. She is one of those artists whom I have been aware of seemingly for a lifetime, but have never taken the time to explore in more detail. With one exception, though: I have given many listens to "Heart Of Mine", her album of Dylan covers, an outstanding collection of  well-sung and well-produced songs released in 2006. Highly recommended.

Maria's Friday night appearance at McCabe's took place just three months shy of her 70th birthday. I'm bringing up her age in order to emphasize a point: I was impressed by how nuanced her voice still is and how well she controlled it, even while delivering songs that were not all that easy to sing. A case in point was Percy Mayfield's "Please Send Me Someone To Love", a song whose coda turned into a veritable vocal tour-de-force for a singer of any age and easily one of the highlights of the evening.

The show kicked off with a Taj Mahal cover performed by Maria's able trio, the Red Hot Bluesiana Band.

Band line-up

Gary Vogenson - Guitar, vocals

Chris Burns - Keyboards

Dave Tucker - Drums, vocals

Friday night's set list was heavy on blues numbers, including a few with blatant sexual innuendos. Needless to say, the crowd received these risqué songs with laughter. Maria was pretty good at mentioning the authors or the original performers of the songs she chose to sing for us, among them Memphis Minnie, Elvin Bishop, Mahalia Jackson, JJ Cale, Percy Mayfield, the Mississippi Sheiks, Eric Bibb and Rory Block.

PARTIAL SET LIST

I've Done Made It Up In My Mind

I'm A Woman
I'll Be Glad
Bessie's Advice

Don't You Feel My Leg

Me And My Chauffeur Blues

In My Girlish Days 

Please Send Me Someone To Love

Cajun Moon

New Orleans

He Calls That Religion

It Ain't The Meat, It's The Motion

I'm Goin' Back Home

Midnight At The Oasis

The set list

The concert sold out a couple of weeks in advance, so a late show was added. Still, Maria treated the attendees of the early show to a generous eighty-five minute set. There was no encore, as immediately after her last song, Maria rushed to the front room to sell CDs, meet the fans and sign autographs, while more folks were lining up in the street to catch the late show. Definitely a busy evening for Maria Muldaur.

Maria Muldaur meeting fans at McCabe's

Maria Muldaur meeting fans at McCabe's

The merch table

Occasional concert announcer Mikki Itzigsohn

The stage

Concert #680 - Dave Alvin at McCabe's Guitar Shop (June 22, 2013)

If you are like me, you have seen Dave Alvin countless times, you know exactly what his live show is like, you don't expect anything different the next time, yet you still can't stop yourself from clicking on the "Buy" button whenever he's announced to play McCabe's.

This time around, Dave brought along two of his long-time musical collaborators, singer Christy McWilson of the Guilty Women fame and guitarist Chris Miller. Together, they put on an entertaining show, not very different from Dave's earlier appearances there, but just as enjoyable.

Dave Alvin at McCabe's

Dave came out with an acoustic guitar and a bottle of Miller Lite that lasted for the entire duration of the show. I was hoping for at least a few electric interludes, but no luck in that respect. No matter, though, as his acoustic playing was as good as ever. The electric duties were ably filled by Chris Miller, a perfect support musician, whose nuanced playing covered many different tempos, loudness levels and styles. His blistering solos, backed by Dave's frantic acoustic guitar rhythms, were some of the high points of the evening. Chris remained on the stage for most of the evening. 

Chris Miller at McCabe's

Christy McWilson took the stage on two separate occasions, first before, then once again after the intermission. As one would expect from two good friends, there was a lot of interaction between Dave and Christy. Their duet on "Manzanita", a song they co-wrote, was a delight. Christy sounded good and I enjoyed watching her dance moves and overall relaxed stage demeanor.

Dave Alvin and Christy McWilson at McCabe's

Dave is exceptionally good at paying tributes and acknowledging his friends and family via the songs he chooses to play: "Black Rose Of Texas" and "Frank's Tavern" were dedicated, in that order, to Amy Farris and Chris Gaffney, two of Dave's departed friends, while the outstanding self-penned "Long White Cadillac" went out to his brother Phil.

Dave took a small detour from his own handwritten set list. Instead of "What Am I Worth" we got to hear Bo Carter's "Who's Been Here" and "Rio Grande", a song Dave co-wrote with Tom Russell.

The set list

The three-song encore, not shown on the set list, consisted of Kate Wolf's "Here In California", Little Richard's "Long Tall Sally" and Dave's own "Marie Marie".

To these ears, the best numbers of the evening were "Ashgrove" and "Dry River", two songs that combine great lyrics with equally great melodies. And there were no weak songs, everything we heard was top notch.

So will I show up for Dave Alvin's next appearance at McCabe's? The answer is probably yes.

The merch table

The concert room just before show time

Concerts #231 & 679 - Junior Brown at the Grove of Anaheim (October 5, 2000) & McCabe's Guitar Shop (June 16, 2013)

This write-up covers the two Junior Brown concerts I have had the pleasure of attending. The first one took place in October 2000 at the Grove of Anaheim, just a stone throw from the Angels Stadium. The Grove is an OK venue, but not a great one, as it brings together people with different interests - some are there for the music, others care more for the food, booze and socializing. The second show took place last Sunday, in the intimate back room of my favorite venue.

Let me start with the more recent concert. Last Sunday's show started at 8:00 PM, which seems to be the new law of the land for the guitar shop's Sunday night concerts. That's a bit late for most of us and we hope that the organizers will soon switch back to the traditional 7:00 PM start time.

Accompanied by wife Tanya Rae (acoustic guitar and vocals), a drummer and a bass player, Junior Brown opened his show with "Broke Down South Of Dallas", an outstanding song that got everyone going. His deep baritone voice has not changed much over the years and neither has his show. Not that a change was in order.

I sat in the front row, so I had a perfect vantage point for observing JB's finger work on his "guit-steel", as he calls his double-neck guitar. In his capable hands, this unique instrument - half electric guitar and half lap steel guitar - produced an incredible array of sounds, among which my favorite was the low-pitched twang that sounded pretty much like Duane Eddy's guitar.

Junior Brown at McCabe's (June 2013)

Throughout the evening, JB was all business, cranking out song after song, with practically nothing said in between. Most artists deliver sets that are about ninety minutes long, but few can squeeze in as many songs as JB. 

Partial set list

I Hung It Up

Party Lights

The Phantom Of The Opry

24/7 

Highway Patrol

My Wife Thinks You're Dead

Oldies Medley (Walk Don't Run, Apache, Secret Agent Man)

Yakety Axe

Apathy Waltz

Hang Up And Drive

Steel Guitar Rag

Trust Me

Mouth To Mouth Resuscitation

Old Fashioned Love (sung by Tanya Rae Brown)

Gal From Oklahoma

Long Walk Back To San Antone

Broke Down South Of Dallas

Freedom Machine  

 

Junior and Tanya Rae Brown at McCabe's

Some say that Junior Brown's vocal range is limited, but Sunday night he did cover quite a range, from ridiculously low notes to high falsettos and even some yodeling. Not bad at all. And his guitar playing was phenomenal. I loved the instrumentals, and come to think of it, I loved most everything he did, as most everything he did was high tempo, intense and humorous. There were a few slower moments though, when JB "went acoustic" for a couple of songs. Tanya Rae did very well as the lead vocalist on "Old Fashioned Love", her only lead vocal contribution of the evening.

All in all, the concert had all the elements of a fun evening: a unique artist, an uncommon voice, an unusual instrument, quality songs, high energy, good humor and full focus on music. Getting all this right in front of your eyes was quite special.

Junior Brown playing acoustic at McCabe's

Junior Brown waving goodbye

The McCabe's stage

Concert poster

A few words about my introduction to Junior Brown's music, which took place in October 2000 at the Grove of Anaheim. I sat about seventy feet from the stage, surrounded by folks with limited interest in the musical part of their evening. JB came out with a rhythm section, but wife Tanya Rae was not there.To me, the highlight of the evening was the so-called "Surf Medley", which went on for almost ten minutes and included bits from a few non-surf songs such as "Apache", "Secret Agent Man" and "You Really Got Me".

I kinda liked most of the other songs performed that night, among them "I Hung It Up", "I Want To Hear It From You", "Gotta Get Up Every Morning" and "Highway Patrol", but everything I heard was new to me, so I needed more time to allow JB's quirky music to grow on me. Overall, the concert was good, a bit short of very good, but it did open an appetite for JB's music, an appetite that has been steadily growing ever since.

Junior Brown's opening act was the Del McCoury Band, a bluegrass ensemble that was good enough to headline. They played a fairly long set, about fifty minutes, and no one minded. I liked the way they huddled around the microphone and took turns to strut their stuff.

The Del McCoury Band

The Grove of Anaheim

Dinner time at the Grove of Anaheim