October 22, 2017

Concert #810 - Shawn Mullins at McCabe's Guitar Shop (October 15, 2017)


In 2013, when I first saw Shawn Mullins in concert, he surprised me with a show that had it all - intensity, good songs, strong vocals and great guitar playing - and since then I had been wanting to simply relive that experience. Well, it took a few years, but last Sunday I finally had my second encounter with Shawn and let me tell you from the get-go, he did not disappoint.

The evening started without an official introduction: with the lights still on, Shawn took the stage to announce an opening set by his musical cohort, Radoslav Lorkovic. Originally from Croatia, Radoslav is a high-caliber piano player who can also sing and play the accordion. I had seen him before - in 2008, he accompanied the great Odetta, also at McCabe's - and I distinctly remember Odetta taking pride in pronouncing his name without having to read it from a hand-written note. 
Radoslav's opening set put on display his versatile piano playing skills, but was maybe one song too long.

Shawn took the stage just before 9 PM, which is a bit late for a Sunday show. With his unmistakable voice and intense delivery, he sang mostly his own songs, but threw in two covers as well: "The House Of The Rising Song" and "The L&N Don't Stop Here Anymore", a song I first heard with Michelle Shocked, then later with Johnny Cash. Shawn's self-penned songs were very good, some had good hooks, but none quite as catchy as the refrain of "Lullaby", his major hit from years ago. The songs I liked the most were "California", "Beautiful Wreck" and "Shimmer".

Throughout the concert, Shawn was accompanied by Radoslav - or Rad, as Shawn called him - and a bassist whose name I sadly did not catch. Rad played the piano, accordion and keyboards. Overall, it was a good show.

Shawn Mullins at McCabe's
Shawn Mullins at McCabe's
Shawn Mullins at McCabe's
Shawn directing Radoslav to the piano
Shawn & Radoslav at McCabe's

High intensity on the stage
Shawn Mullins at McCabe's
Shawn and his bassist (name?) at McCabe's
The set list
The stage
T-shirt for sale

October 15, 2017

Concert #809 - Jon Langford's Four Lost Souls at McCabe's Guitar Shop (October 1, 2017)


I first got acquainted with Jon Langford and his then-band, the Mekons, in 1989. Since then, I have been passionately following not only his solo career, but also his various side-projects, such as The Waco Brothers and Pine Valley Cosmonauts. His current ensemble, curiously named Jon Langford's Four Lost Souls, came to my favorite venue two weeks ago and based on their performance there, I'm happy to say that, even though Jon has just turned sixty, little has changed - his music is as listenable and captivatingly quirky today as it was twenty-five years ago. His idiosyncratic melodic sense is still there and his songs, with their mix of country, folk, rock and punk, are still difficult to categorize.

Jon came out a few minutes after 8 PM with the other three Lost Souls, namely guitarist John Szymanski and singers Bethany Thomas and Tawny Newsome, and together they put on a thoroughly enjoyable show that had a relaxed feel to it, with lots of humor, laughter and most of all, great music. Their set included most songs from their latest album, unsurprisingly titled "Four Lost Souls" - I liked all songs, but "Snake Behind Glass", "Half Way Home" and "Poor Valley Radio" managed to stand out. John turned out to be a devilishly good guitar player, while Bethany and Tawny sang lead and backup vocals with confidence and competence.

Jon's set ended with two of his older songs, "Drone Operator" and "Pill Sailor", and also a surprising cover, Danny O'Keefe's "Good Time Charlie's Got The Blues". Overall, I had a heck of a good time at McCabe's watching this truly unique artist.

The stage at 8:10 PM
The stage at 8:15 PM
Jon Langford (right) and John Szymanski at McCabe's
 Tawny Newsome (left) & Bethany Thomas at McCabe's
Jon & Tawny
Jon Langford at McCabe's
The set list
Tawny & Bethany at McCabe's
John, Tawny & Jon, after the show
The stage
The concert room

October 1, 2017

Concert #808 - Loudon Wainwright III at McCabe's Guitar Shop (September 9, 2017)


This was my nineteenth time to see Loudon in concert, but only the first time since 2009. Even though quite a few years have passed since then, Loudon appeared to be pretty much the same as he was then. OK, so maybe he's not kicking out his legs as often as before and his face contortions are a bit less frequent, but the voice remained unmistakably his and so did his act, with that unique mix of humor, seriousness and the occasional touch of darkness. His energy level appeared to be high, even though he may have been holding back a bit for the evening's late show. I caught the early show, and by the way, both were sell-outs. At one point during his first set, when he mentioned his second show, Loudon quipped "I don't do anything twice a night anymore, except maybe go to the bathroom".

In addition to his own songs, Loudon's set included a few covers, which were all duly credited to their respective authors. As he always does, he augmented the musical part with a few funny stories, such as the one about his childhood encounter with Liza Minnelli. And anyone who has ever seen Loudon in concert knows that family members are often talked and sung about and this show was no exception. Particularly funny was his latest jingle, "Meet The Wainwrights", a song Loudon wrote for "The Wainwright Family Adventure" Alaskan tour.

Overall, I had a heck of a good time reconnecting with Loudon and I can't wait for his return to McCabe's.

Set List (nearly complete)
(all songs by Loudon Wainwright III, unless noted)
Natural Disaster
Dilated To Meet You
Meet The Wainwrights
The Picture
Ever Since The World Ended (Mose Allison)
It's Love And I Hate It
Westchester County
Between (Loudon Wainwright II)
Grey In LA
Primrose Hill
I Knew Your Mother
Half Fist
Daughter (Peter Blegvad)
April Fool's Day Morn
Oedipus Rex (Tom Lehrer)

Loudon Wainwright at McCabe's
The following photos, titled "The Many Faces Of Loudon Wainwright", are taken from "Meet The Wainwrights", the YouTube video recently posted by Wayne Griffith, the long-serving Sound Engineer at McCabe's.

The Many Faces of Loudon Wainwright - Photo 1
The Many Faces of Loudon Wainwright - Photo 2
The Many Faces of Loudon Wainwright - Photo 3
The Many Faces of Loudon Wainwright - Photo 4
The Many Faces of Loudon Wainwright - Photo 5
The Many Faces of Loudon Wainwright - Photo 6
The Many Faces of Loudon Wainwright - Photo 7
The stage
The stage, viewed from a different angle
Concert Director Lincoln Myerson letting people in
Fans lining up for the late show

September 3, 2017

Concert #807 - Chely Wright at McCabe's Guitar Shop (August 27, 2017)





I'm not a regular follower of the contemporary country music scene, but I just wasn't going to pass up on the opportunity to see a singer of Chely Wright's caliber perform on the small stage of my favorite venue. So I went.

A few days have passed since the concert and there's one thought I just can't shake off: Chely stayed on the stage for about one hour and forty-five minutes, which may sound like a decently long set, but sang only ten songs. Using an estimate of five minutes per song, I figured that we were treated to roughly fifty minutes of music and a whopping fifty-five minutes of spoken word and that's just the wrong proportion for an event that was supposed to be about music. Funny thing, though: Chely may have been overly verbose, but I found most of her storytelling quite compelling.

Courtesy of Wayne Griffith, the concert venue's long-serving sound engineer, I was afforded the rare opportunity to witness a complete soundcheck and that was something truly special. As it turned out, a lot of hard work went into getting the sound just right, but in the end the thumbs-up signal was flashed by all involved. There was nothing divalike in Chely's demeanor throughout the soundcheck, then as she left the stage, she turned to Wayne and uttered an emphatic "Thank you, Sir". That was classy.

Chely Wright's soundcheck, seen from the sound engineer's room
Sound engineer Wayne Griffith
I liked Chely's singing - her voice was crystal-clear and she hit all her notes with feeling and precision. Her set list included numbers from "I Am The Rain", her latest album, as well some of her "oldies", among which I really liked "Something Positive And Hopeful". To me at least, the evening's highlight was "My Sister", a song with a somewhat unusual history. After I got home, I googled the song and here's what I found, reproduced here in Chely's own words: "This is a song that I recorded at Sunset Sounds that I did not include on the album. I am offering it as an exclusive download to my Kickstarter supporters. I'm proud to say that I co-wrote 'My Sister' with Diane Tinelli and she was one of the backers who bought the Kickstarter co-writing session reward."

Another highlight was Chely's rendition of Bob Dylan's "Tomorrow Is A Long Time", which I think was the evening's only cover.

Throughout the concert, Chely was accompanied by guitarist Jeremy Lister, who also sang backup vocals. Their acoustic, stripped-down arrangements appealed to me a lot more than the overproduced sound of today's commercial country music.

Overall, I did not regret my decision to attend the concert, which had high points (primarily Chely's voice) but also a few lows (too much talk, not enough music).

Chely Wright singing at McCabe's
Chely Wright telling stories at McCabe's

Chely Wright & Jeremy Lister at McCabe's

The end of the show
The set list

The stage
Fans lining up for the show