Concert #713 - Louise Goffin at McCabe's Guitar Shop (May 17, 2014)

Louise Goffin is a little-known singer-songwriter with a legendary last name and I have to admit that it was her last name that made me drive to McCabe's last night, in spite of my total unfamiliarity with her music. About fifty other folks showed up.

Louise's 80-minute set was not bad, but did not knock me out either. There weren't any fast songs last night, everything we heard was mid-tempo. I suppose she wrote all those songs, with the obvious exception of "Baby's In Black", the old Beatles tune. I found her songs to be good, but, again, I could have used some rhythm changes here and there. Of the three instruments Louise played during the show - ukelele, guitar and keyboards - I liked the latter the best. Vocally, I thought she was not better, nor worse, than your typical singer-songwriter.

Louise Goffin at McCabe's

Louise was accompanied by a band of four musicians, namely Chris Seefried (guitar, vocals), Chris Joyner (keyboards, accordion), Oliver Kraus (cello) and Alwyn Wright (violin). They sounded quite good.

 

No doubt, Louise is a talented musician. She can write, sing and play multiple instruments, but, as a whole, I thought her show lacked the "surprise" element.

Louise Goffin and her band at McCabe's

Louise Goffin at McCabe's

The set list

 

Concert #101 - The Allman Brothers Band at the Pacific Amphitheatre (July 17, 1992)

The first thing that comes to mind when I think back about this 1992 concert is my auspicious introduction to Warren Haynes, the brilliant guitarist who had  joined the band a few years earlier. His playing stood out as one of the highlights of the band's two-hour performance at the Pacific Amphitheatre, on the grounds of the Orange County Fair in Costa Mesa.

I went to the show with my good friend Jim, who had made a believer out of me by simply forcing me to give a good listen to his copy of "Eat A Peach". We had decent seats, about fifteen rows back, not too far from the center.

Band line-up

Gregg Allman (keyboards, vocals)

Dickey Betts (guitar, vocals)

Warren Haynes (guitars)

Butch Trucks (drums)

Jaimoe (Jai Johanny Johanson) (drums)

Allen Woody (bass)

Marc Quinones (percussion)

The show had many more high points than just Warren's guitar playing. Dickey Betts' interplay with Warren Haynes was something to behold and so were the renditions of the songs I knew the best, the ones from "Eat A Peach". The newer songs weren't bad either.

Gregg Allman spent most of his time behind his keyboards - his voice wasn't too far off from his studio recordings.

About half-way through the concert, the audience was treated to a five-song acoustic interlude. Seated on three chairs placed near the front edge of the stage, Gregg Allman, Dickey Betts and Warren Haynes played an acoustic set that was at least as good as their electric output. Dickey's stellar guitar playing on "Melissa" was the highlight of their acoustic mini-set.

The Set List
Electric
Don't Want You No More
It's Not My Cross To Bear
Statesboro Blues
Blue Sky
Don't Keep Me Wonderin'
Nobody Knows
Black Hearted Woman
Acoustic
Seven Turns
Midnight Rider
Southbound
Melissa
Pony Boy
Electric
Hoochie Coochie Man
Get On With Your Life
In Memory of Elizabeth Reed
Revival
Encore
One Way Out
Whipping Post

Blues Traveler kicked off the evening with a bluesy set that revolved around John Popper's vocals and harmonica playing. Not bad, but not earth-shattering either.

Blues Traveler in 1992

Concert #712 - The Dustbowl Revival - "Full Moon Saturdays at Stonywood" Concerts Series in Pasadena (May 10, 2014)

The Hollywood Bowl, the Greek Theater, and Garth & Trisha's backyard ... these are just some of the places where one can catch top-notch live music in the Los Angeles area. Yes, you heard it right, I did say backyard. The owners of the place, Garth and Trisha, are music fans who, once a month, open their doors and gates to let complete strangers in, with whom they have at least one thing in common: the love of music. Saturday afternoon they hosted the Dustbowl Revival, one of my favorite bands. I showed up with my Better Half, younger son and daughter-in-law. This was my seventh time to see the revivalists in the two years that have passed since my first encounter with the band.

The backyard's wooden deck turned out to be a perfectly viable stage that was more than adequate to accommodate the musicians. The audience was small, only about fifty folks, but that did not prevent the band from delivering an entertaining and generously-long concert. My initial doubts about the quality of the PA system were quickly put to rest, as the sound was exceptionally good from the get go.

The band came out as an octet that included Zach Lupetin (vocals, guitar), Kate Nicholsen (vocals, washboard), Daniel Mark (mandolin), Matt Rubin (trumpet), Ulf Bjorlin (trombone), Josiah Mory (upright bass), Josh Heffernan (drums) and Bob Hamilton (electric guitar, banjo). Introduced as a "guest", the latter impressed me very much with his skilful playing, but sadly, he did not return after the intermission. And speaking of the band's lineup: for the first time since I've been following the band, virtuoso violinist Connor Vance was not part of the action. 

Overall view

The band

 Partial Set List

(some titles may be approximate)

Old Joe Clark

Whiskey In The Well

Lampshade On

Marching On

Ain't Nobody Gonna Bury Me

Early In The Morning

Be My Baby Tonight (Kate Nicholsen solo)

No Volvere (sung in Spanish)

John The Revelator

When The Saints Go Marching In

You Can't Love One

Monday Is The Best Day Of The Week

Love Somebody

Riverboat Queen

Down By The Riverside

Gamblin' Man

Drop In The Bucket

Edgar Allan Poe

Dreaming Our Lives Away

Picking a highlight is no simple task, as everything sounded great, from start to finish. I really enjoyed Kate's singing and, as always, I loved the outstanding work of the brass section, as well as Daniel's stellar playing of the mandolin. The multi-talented Zach Lupetin, the leader of the band, impressed me once again with his creativity, energy and song selection.

Overall, I had a heck of a good time and can't wait for my next encounter with the band. As far as Garth & Trisha's backyard is concerned, I will gladly go back for more. 

Zach Lupetin (left), Kate Nicholsen and Daniel Mark

The encore - When The Saints Go Marchin' In

Ulf Bjorlin and Matt Rubin

Josiah Mory

Zach Lupetin and Kate Nicholsen

Garth, the gracious host of the event

The deck

Concert #711 - Suzzy Roche & Lucy Wainwright Roche at McCabe's Guitar Shop (May 9, 2014)

This was my first-ever concert featuring a mother and her daughter performing together as a duo. I went to the show without being familiar with the music of either, a fact that, as it turned out, did not diminish at all my enjoyment of the concert. 

The evening felt pretty much like being in the living room of two talented musicians - there was a lot of casual talk, some humorous jabbing, many funny lines thrown in by both Suzzy and Lucy, with even the audience getting involved on occasion. Then there was a song abandoned after only a few guitar chords, when Lucy suggested that they play only songs they actually know. Depending on intangible factors, I may sometimes get annoyed by musicians who appear to be exceedingly relaxed, but that wasn't the case Friday night at McCabe's. I must have found the informal feel of the evening to be contagious, because the next thing I knew, I was laughing along with Suzzy and Lucy when they burst into uncontrolled laughter, right in the middle of a song.

Lucy Wainwright Roche (left) and Suzzy Roche having a laugh at McCabe's

I will remember this concert not only for its casual feel, but also for Suzzy and Lucy's gorgeous vocal harmonies. Simply put, they sounded great together, but I also liked their solo parts. Even at the first listen, I found their songs to be instantly accessible - I suppose they wrote most of them. The ones that stood out for me were "G-Chord Song" and "There's A Last Time For Everything". They also played a few covers - "For No One" (the Beatles gem), "America" (the Simon & Garfunkel classic), "Mama Said" (the Shirelles hit), and "Rhythm Of The Rain", the well-known one-hit wonder of the Cascades - they all sounded great.

Suzzy Roche at McCabe's

Lucy Wainwright Roche (left) and Suzzy Roche at McCabe's

At one point during the concert, Suzzy and Lucy invited show-opener Nate Borofsky to join them for a few songs. With his humorous personality, Nate added yet more fuel to the giggly mood of the headliners.

Lucy & Suzzy, with Nate Borofsky

Suzzy & Lucy's set list

The evening was kicked off by the likeable Nate Borofsky, whom I have seen twice before with Girlyman, the now-defunct band of considerable talent. He writes good songs and delivers them quite well, except when he leaves his vocal comfort zone. The songs I liked the best were "Break The Dam" and "Wherever It Takes".

Nate Borofsky at McCabe's

Nate Borofsky's set list

Nate Borofsky at the merch desk

Concert #710 - Iain Matthews at the Coffee Gallery Backstage (May 5, 2014)

What a difference a concert made ... less than a week ago, Iain Matthews was someone I liked and respected, but nothing more. Then came last Friday's concert at McCabe's, when Iain knocked my socks off with a performance that had all the ingredients that make me melt: a great voice, a soulful delivery of tuneful songs, skilled guitar playing, captivating lyrics, good humor and, to top it all off, humility. His show was so good that I just had to see him again, and that is what brought me Monday night to the Coffee Gallery in Altadena, an intimate venue with just forty-nine seats.

Much to my disbelief, I counted only twenty-six people in the attendance, undoubtedly the smallest concert crowd I have ever seen. But the size of the audience did not stop Iain from delivering yet another great set, twenty songs in all, and all the elements that had impressed me so much at McCabe's were there in full force. In terms of the set list, there was some overlap between the two concerts, something that did not bother me at all. On the contrary, I enjoyed very much hearing "Alone Again Blues" and "Funk And Fire" once again. I also enjoyed the eight songs not played at McCabe's, among which "To Be White", "God's Empty Chair" and Richard Thompson's "From Galway To Graceland" stood out. The a-cappella style delivery of the latter was an absolute gem.

Iain Matthews at the Coffee Gallery

The set list

Southern Breezes

Something Mighty

The Limburg Girl and The Traveling Man

Rosa's Song (The Back Of a Bus)

Power

To Be White

God's Empty Chair

From Galway To Graceland

Funk And Fire

The Letter (1944)

The Emperor's New Clothes

Time Zone Cowboy

In Paradise

God Looked Down

Alone Again Blues

These Days

Ghost Changes

Evening Sun

 Encore

Joy Mining

Can't Buy Me Love

Iain Matthews enjoying himself at the Coffee Gallery

One of Iain's past collaborators, Richard Stekol, an accomplished musician himself, provided able accompaniment on electric guitar for half an hour or so. His subdued playing was a good addition to the show.

After the concert, I had the pleasure of exchanging a few words with Iain and got to shake his hand, too. I went home happy, carrying with me his "Joy Mining" album, purchased from Iain himself. 

Iain Matthews and Richard Stekol

Iain Matthews tuning his guitar

Set list - sheet 1

Set list - sheet 2

The stage