Concert #673 - Jackshit at McCabe's Guitar Shop (April 26, 2013)

Q: Let's talk numbers. How many times have you seen Jackshit in concert?
A: This was my 29th time to see them live in concert.

Q: That's crazy, don't you think so?
A: It's only crazy from the perspective of someone who has not seen them perform. You see them once, you're hooked for life. I'm only a passionate fan, not an OCD sufferer

Q: OCD?
A: Obsessive compulsive disorder.

Q: How much variety do you find in their shows?
A: Their shows follow pretty much the same path, so I can't say that any given show is strikingly different from the one before.

Q: So what makes you want to see them so often?
A: What attracts me time and time again is their exceptional virtuosity. These guys are devilishly good. Val McCallum's guitar playing is right up there with the very best and if Dave Faragher is good enough for Elvis Costello, then he's certainly good enough for me. And there's a good reason why Pete Thomas is in the Rock & Roll Hall of Fame: he plays the drums like few others. Put these guys together, and what you get is an exciting power trio that adds good humor and stellar song selection to their musical prowess.

Q: Last night's show came just hours after the death of George Jones. Did the band acknowledge his passing in any way?
A: Yes, they did. They played an outstanding version of "White Lightning", then later in the show, when unannounced guest Jackson Browne took the stage, they delivered "The King Is Gone", a song written by George Jones shortly after Tammy Wynette walked out on him.

Q: So Jackson Browne guested once again ...
A: Yes. He's a friend of the band, so his appearances are almost taken for granted.

Val McCallum & Jackson Browne having fun at McCabe's

Q: Any other guests?
A: Yes and no.

Q: What do you mean "yes and no", that makes no sense.
A: Let me explain. Just take a look at Val McCallum's Facebook page, the way it appeared on the day of the show:

Q: Wow, Mac Davis guesting with the band, I'm sure you were all excited. How was he?
A: He never showed up. I'm convinced this whole thing wasn't just a joke, as Val kept looking for Mac to make his entrance, but he never came. The band went on and played the four Mac Davis songs they were supposed to do together - "Baby Don't Get Hooked On Me", "You're Having My Baby", "In The Ghetto" and "I Believe In Music" - when mid-way through the latter song, a man armed with a guitar joined the band. Assuming that the man was Mac Davis, the crowd exploded with enthusiasm, only to learn that they were applauding the world's first and only Mac Davis impersonator. Like everyone else, I was a bit disappointed.

Val McCallum (left), with faux Mac Davis

Q: What else did Jackson Browne sing?
A: After his tribute to George Jones, Jackson sang his own "Shaky Town", then later, when he came back for the encore, he did "Take It Easy", the monster hit he wrote for the Eagles. Jackson sounded and looked good.

Val McCallum & Jackson Browne at McCabe's

Q: Any new additions to Jackshit's long list of covers?
A: Yes. Along with two young guests, they played the Who's "My Generation".

Q: Who were the guests and how young were they?
A: Well, I don't think either of them was older than ten. Charlie Faragher replaced Pete Thomas on drums and impressed me with his much-improved drumming. The vocals were delivered by someone introduced as "Uncle Nick" and he was good, too.

"Uncle Nick" and Dave Faragher

Q: Did Jackshit have a set list?
A: Yes, and with small exceptions, they followed it.

Q:  Did the Shit Horns show up?
A: No, they didn't, and I missed them.

The set list

Q: Your overall impression?
A: As always, I had a heck of a good time and I'll be back for more.

Dave Faragher and Val McCallum chatting with friends after the show

The stage

Concert #672 - The Dustbowl Revival at the Claremont Folk Music Center (April 20, 2013)

Q: Was this your fourth time to see the band in just about one year's time?
A: Indeed. I first saw them perform at McCabe's Guitar Shop in Santa Monica in March 2012 and, right there and then, I became a huge fan.

Q: Can you say a few words about last night's venue?
A: Claremont's Folk Music Center is a jewel of a store and occasional concert venue. The place is owned by Ben Harper, who has kept the store's old-school look pretty much intact.

Q: Great stores don't necessarily make for equally great concert venues, do they?
A: Some do, some don't. Hollywood's Amoeba Records is a fabulous store, but not the best place to see a concert, not even a free one. McCabe's excels in both categories, mostly thanks to the availability of their back room, where a proper stage could be built and a decent number of seats can be placed.

Q: So how's the Folk Music Center?
A: They only have one room, so their options are limited. Located in the far left corner of the store, their stage is quite small and it only rises six or seven inches above the floor level. This means that  most spectators will not have an unobstructed view of the performers.

Q: How was the sound?
A: Quite good, there were no problems at all with the sound.

The Folk Music Center (Claremont, California)

The stage

Q: So how many people showed up last night?
A: Seventy-five, which is the full capacity of the room. My impression was that many of the spectators came to see the Wild Reeds, the opening act, a band with strong local connections. Sadly, some of their fans left during the intermission, so there were a few empty seats when the headliners took the stage.

Q: With only about seventy-five tickets sold, the artists did not make a financial killing, did they?
A: Not at all. Tickets were priced at the mystifyingly low amount of ten bucks each. You do the math. Ten bucks is a ridiculously low amount. Ten bucks won't even get your car parked at most LA concert venues.

Q: Let's talk about the Dustbowl Revival. How were they?
A: The short answer is "they were great". But there's more to it. Somewhat understandably, they brought to Claremont a stripped-down version of the band that I saw in action in Santa Monica and Pasadena. I did miss some of the absentees, particularly the three-piece brass section, a key part of the overall sound of the band. But it wasn't all bad: instead of a full brass section, we got to enjoy Ron Sewer's stellar trumpet playing. Vocalist Caitlin Doyle did not appear either, but her replacement, Kate Nicholsen, was equally good, I really liked her vocals on "Riverboat Queen". 

Q: What was the band's line-up?
A: Last night's incarnation of the band was a septet, as in a group of seven players:

Zach Lupetin (vocals, acoustic guitar, kazoo, etc.)

Vance Connor (fiddle)

Daniel Mark (mandolin)

Kate Nicholsen (vocals)

Austin Nicholsen (upright bass)

Ron Sewer (trumpet)

Josh Heffernan (drums)

The Dustbowl Revival in Claremont

Q: So how did the absence of the brass section affect the show?
A: That's easy to answer: the band simply stayed away from the brass-heavy songs of their repertoire, so there was no "Dan's Jam", no "Western Passage", no "Lowdown Blues" and no "Marching On". Instead, the band focused on their brand new album, "Carry Me Home" and that wasn't a bad thing at all.

Q:What songs did they play from the new album?
A: Quite a few: "John The Revelator", "New River Train", "Soldier's Joy", "Swing Low", Shine" and "Riverboat Queen". I liked everything they played from the new album.

Q: Any other songs worth mentioning?
A: Well, they played a total of twelve mostly uptempo songs, they all sounded good, especially "Early In The Morning", "Who Threw The Whiskey In The Well" and "Ain't Nobody Gonna Bury Me", although this may not be the correct title.

Left to right: Ron, Kate, Zach, Daniel & Vance at the Folk Music Center

Q: Your overall impression of last night's concert?
A: Well, it took me a couple of songs to get used to the smaller size of the band, but pretty soon their infectious music grabbed me and never let me go. I could definitely call myself a satisfied customer. Whether their sound was bluesy, jazzy or folksy, the band sounded great last night and I enjoyed those few blistering trumpet, fiddle and mandolin solos. The whole concert was exceptionally well paced from start to finish. Zach Lupetin, the leader of the band, is a very special artist. He deserves kudos for his soulful singing, incredible songwriting, clever production and most of all, for having assembled such a great group of talented musicians. The Dustbowl Revival is a truly amazing band that's probably not too far from getting the national recognition they so richly deserve.

Q: The best song of the evening?
A: "Swing Low", the song that wrapped up the evening, performed with the help of the Wild Reeds. Great harmonies.

Q: A few words about the Wild Reeds?
A: It was my first exposure to the music of the trio. There are many other acts out there that are young and talented, but the Wild Reeds possess three assets that one day could bring them wider success: their voices. They also seem to be an inventive bunch, as there was plenty of variety in their forty-minute long set.

The Wild Reeds at the Folk Music Center in Claremont

Q: Did you bring a few friends to attend the concert?
A: Yes. I bought twelve tickets that went to some of my friends. Most of them were unfamiliar with the Dustbowl Revival.

Q: So what did the newbies tell you after the concert?
A: They all loved the show, without exception. They all want to see them again.

Q: And you?
A: I will continue to follow the band and the next time they play McCabe's, I will show up with a larger group.

The Dustbowl Revival setting up for the show

The crowd in front of the Folk Music Center

John and Bob, two of my friends

Guitars on the wall at the Folk Music Center

Concert tickets