February 4, 2019

Concert #861 - Hubby Jenkins at McCabe's Guitar Shop (February 2, 2019)


Saturday night at McCabe's I witnessed the performances of not one, but two musicians who, in my opinion, fit the "niche artist" label to perfection. Indeed, both Hubby Jenkins, the headliner, and John Reed Torres, the evening's opening act, specialize in genres that are seldom heard, certainly not by the followers of mainstream music.

With catchy gospel songs like "Jesus Walked This Lonesome Valley", "The Last Month Of The Year", "Down On Me" and "I Heard The Angels Sing", Hubby Jenkins grabbed my attention from the very beginning. Alternating between his acoustic guitar and banjo, he kept me thoroughly entertained not only with his music, but also with his storytelling. Hubby turned out to be a treasure trove of knowledge about old-time music, as well as the social and racial injustice of those troubled times - listening to Hubby's stories about slavery and black banjo players made me feel a bit like a student in a classroom. But there were also moments of levity, with Hubby reading out loud random parts from a few Choose Your Own Adventure books, with the full participation of the audience. I could have done with a little less of that and a little more music.

Hubby Jenkins playing his guitar at McCabe's
Hubby Jenkins playing his banjo at McCabe's
I was very impressed with Hubby's guitar and banjo picking and I liked his singing, too. His rendition of the music of Blind Willie Johnson, Bukka White, Uncle Dave Macon and others sounded great to these ears. One of the highlights of the show was the thought-provoking "Little Log Cabin In The Lane", a song written more than one hundred years ago by a white man named Will S. Hays, about a slave missing the comfort of slavery, as Hubby put it. "John Henry" and "Coo Coo Bird" were two other stand-out tracks.

In the absence of a predetermined set list, the entire evening had a free-flowing feel to it, very much like spending time in the living room of a musician friend. I'm pretty sure this was not my last encounter with Hubby.

Hubby Jenkins at McCabe's
The evening kicked off with a thirty-minute set by John Reed Torres, a credible ragtime pianist who has played at various ragtime festivals in Europe, South America and the States. His first number, Scott Joplin's "Maple Leaf Rag", was followed by five self-penned tunes and one other Scott Joplin composition titled "Gladiolas". In between songs, John spoke with eloquence about the history of ragtime music, a genre that most people know precious little about. While I liked his performance, I think that John's show could have benefited from the inclusion of a well-known rock or pop song re-imagined as a ragtime number.

John Reed Torres at McCabe's
Hubby Jenkins chatting with fans after the show
The stage

February 3, 2019

Concert #860 - The Accidentals at McCabe's Guitar Shop (February 1, 2019)


This was my first time to see the Accidentals in concert and one thing is for sure: it won't be my last.

Friday night at McCabe's, Savannah Buist, Katie Larson and Michael Dause, collectively known as The Accidentals, put on a show that, in most respects, far exceeded my most optimistic expectations. These guys know how to put their musical talents to good use, as they blend disparate genres, like rock, folk, jazz, pop and classical, into an infectious mix that sounded profoundly modern to these ears. I was also very impressed with the speed with which Savannah and Katie switched from one stringed instrument to another. Their use of the electric cello and electric violin, each sporting slimmed-down bodies, was particularly captivating. 

The Accidentals at McCabe's
Some of the younger acts I have seen in recent years put on performances that I found to be excessively lethargic, but that was definitely not the case Friday night. The trio's show was exceptionally well-paced, with just the right amount of spoken word and plenty of dynamic moments - one could just feel the energy building up toward the glorious crescendo that ended their set. Occasionally striking rock & roll stances, Sav and Katie were exceptionally good and so was Michael, whose powerful drumming was an equal contributor to the success of the evening. 

Savannah Buist playing her electric violin at McCabe's
The Accidentals at McCabe's
The Accidentals having some fun at McCabe's
I suppose that most of the songs played by the Accidentals were self-penned and there wasn't a single dud among them. I recognized only one cover, Dave Brubeck's "Take Five", then - for the evening's encore - the trio lined-up at the edge of the stage to deliver what I think was their only other cover song, "Shining In The Distance", from the repertoire of Lindsay Lou & The Flatbellys.

The evening's encore
So, do I have anything negative to say about the concert? Yes, I do. The show just wasn't long enough. Indeed, clocking in at only seventy-five minutes, theirs was one of the shortest headlining sets I have ever caught at McCabe's. Still, no complaints, as the trio held nothing back. No doubt, if the band ever comes back to McCabe's, I will be there.

Katie Larson playing her electric cello at McCabe's
Savannah Buist at McCabe's
Michael Dause at McCabe's
The set list
The stage
Katie & Savannah at the merch table, after the concert